Bastille Day
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Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday. He used layers of blue and black ink to evoke the shadowy tones of nighttime and orbs of bright pink to suggest the artificial light of lanterns illuminating the boulevards. This print is one of the few works that can be dated to Maurice Prendergast's early years in Paris.
The museum’s own description, in English. Licence: CC0
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Details
- Maker
- Maurice Prendergast (American, born Newfoundland [now Canada], 1858–1924)
- Date
- 1892
- Medium
- color monotype
- Dimensions
- Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)
- Place of origin
- America
- Held by
- Cleveland Museum of Art, Cleveland · Not on view
- Credit line
- Gift of The Print Club of Cleveland
Image: Cleveland Museum of Art, CC0
More by Maurice Prendergast
Shown in
- A Lasting Impression: Gifts of the Print Club of ClevelandMay 5, 2019 – Sep 22, 2019
- Monotypes: Painterly PrintsMay 31, 2015 – Oct 11, 2015
- Treasures on Paper from the Collection of the Cleveland Museum of ArtMar 9, 2014 – Jun 8, 2014
- Generous Donors: A Tribute to The Print Club of ClevelandApr 2, 1991 – Aug 4, 1991
- The Print Club of Cleveland, 1919 - 1969: Fifty Years in ReviewJan 14, 1970 – Mar 31, 1970







