HomeCollectionShopMore
Samuel J. Miller, Frederick Douglass

Frederick Douglass

Samuel J. Miller · 1847-52 · Art Institute of Chicago

What did you think?

Guide

3 chapters · about 2 min
Adjust the guideNew to it · Medium
How much art you know
How much to hear
A Small Silver PortraitChapter 1 of 3
0:000:29
  1. A Small Silver Portrait

    This is a small portrait of Frederick Douglass, made as a daguerreotype between 1847 and 1852. A daguerreotype is an early kind of photograph made on a copper plate coated with silver, which is sensitive to light. The plate is about fourteen centimeters tall, a little over five inches, and it sits in a folding case. Douglass is shown in a suit. The process was celebrated for its remarkably sharp detail, so move in close and let your eye travel across his face, where that precision shows most.

  2. A Studio in Akron

    In 1839 Louis-Jacques-Mandé Daguerre announced that he had perfected the daguerreotype. Within a few years, thousands of portrait studios had opened across the United States. One belonged to Samuel J. Miller, in Akron, Ohio. Most pictures made in such commercial studios were formulaic and told you little about the sitter's character. This one is a striking exception. Douglass was an intelligent manager of his public image, and he likely guided Miller in showing his intensity and sheer force of character.

  3. Majestic in His Wrath

    Frederick Douglass was an escaped slave who became a lauded speaker, writer, and abolitionist agitator, someone who stirred people to act against slavery. Northeastern Ohio was a center of abolitionism before the Civil War, and he knew that supporters of his campaign would see this picture. It was one of an astonishing number that he commissioned or posed for. The feminist Elizabeth Cady Stanton observed that he appeared majestic in his wrath. Look at his face a little longer and ask how this small plate carries that force.

This guide was written by AI from the description published by Art Institute of Chicago. Licence: CC BY 4.0

Ask about this work

Ask in your own words. The answer comes from what the museum has written about the work, and says so when that does not hold it.

Details

Maker
Samuel J. Miller, American, 1822–1888
Date
1847-52
Medium
Daguerreotype
Dimensions
14 × 10.6 cm (5 1/2 × 4 1/8 in., plate); 12.1 × 8.8 cm (4 3/4 × 3 1/2 in., mat opening); 15.2 × 12 × 1.4 cm (6 × 4 3/4 × 1/2 in., plate in closed case); 15.2 × 24 × 2 cm (6 × 9 1/2 × 3/4 in., plate in open case)
Place of origin
United States
Held by
Art Institute of Chicago, Chicago · Not on view
Credit line
Major Acquisitions Centennial Endowment
See this work at Art Institute of Chicago

Image: Art Institute of Chicago, CC0

More by Samuel J. Miller

  • Untitled (Portrait of Seated Man Holding a Daguerreotype and Brush)Samuel J. Miller · 1865
  • Untitled (Portrait of a Seated Man with Sabre)Samuel J. Miller · 1862

Shown in

  • Dawoud Bey: Night Coming Tenderly, BlackJan 11, 2019 – Apr 14, 2019