Hercules
Albrecht Dürer · c. 1496–97 · Cleveland Museum of Art
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From the museum
Even though Dürer entitled this work Ercules, the narrative of the representation remains highly debated. The most recent interpretation suggests that Dürer adapted the scene from an obscure Roman tragedy, one he may have learned through his humanist friends. The story describes how prior to Hercules’ first heroic labor, the goddess Juno incited within him a monstrous rage. This resulted in the killing of a tyrant, seen under Hercules’ left foot, and the murder of his own family, represented here by his frightened wife Megara. A maniacal old woman-a Fury, goddess of vengeance and the embodiment of Hercules’ rage-prepares to assail Megara with an animal jawbone. According to this reading then, women are the source and manifestation of Hercules’ murderous wrath, an obvious contrast to his later heroism.
The museum’s own description, in English. Licence: CC0
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Details
- Maker
- Albrecht Dürer (German, 1471–1528)
- Date
- c. 1496–97
- Medium
- woodcut
- Dimensions
- Platemark: 39.1 x 28.5 cm (15 3/8 x 11 1/4 in.)
- Place of origin
- Germany
- Held by
- Cleveland Museum of Art, Cleveland · Not on view
- Credit line
- Gift of The Print Club of Cleveland
Image: Cleveland Museum of Art, CC0
More by Albrecht Dürer
Shown in
- Dürer's Women: Images of Devotion and DesireJun 22, 2014 – Sep 28, 2014
- Against the Grain: Woodcuts from the CollectionAug 17, 2003 – Nov 9, 2003
- Sacred and Profane in Late Gothic PrintsJun 2, 1987 – Aug 2, 1987
- Eight Masters of the PrintOct 14, 1980 – Jan 18, 1981
- Albrecht Dürer - 500th AnniversaryFeb 19, 1971 – Mar 28, 1971






