Man's Hat (Botolo)
Ekonda · Early 20th century · Art Institute of Chicago
What did you think?
Guide
Adjust the guideNew to it · Medium
Nobody has listened to this guide yet. Making it takes about twenty seconds, and after that anyone can hear it straight away.
From the museum
This striking, well-preserved hat, or botolo, would have served as a critical component of an Ekonda chief’s public attire. Constructed out of woven raffia or cane fibers, it has nine brims in a pagoda-shaped tower and two brass or copper disks projected frontally from its base and upper portion. The disks may have been produced locally or imported from a neighboring group, and their primary function was to indicate wealth and prestige. On ceremonial occasions, these hats would often be treated with a combination of camwood powder and oil, which is what gives many of them their deep reddish hue. If a chief was the first in his line to rule, he would have to acquire a botolo, but hats of deceased rulers were generally preserved and passed down to their successors. The responsibilities of a chief, or nkumu, included the overseeing of all ceremonies, divinations, and other activities related to the spiritual well-being of his community. He had the exclusive right to the use of prestigious items, of which the botolo is the best known.
Ask about this work
Ask in your own words. The answer comes from what the museum has written about the work, and says so when that does not hold it.
Details
- Maker
- Ekonda, Democratic Republic of the Congo
- Date
- Early 20th century
- Medium
- Fiber and copper alloy
- Dimensions
- 50.8 × 24.2 × 26.7 cm (20 × 9 1/2 × 10 1/2 in.)
- Place of origin
- Democratic Republic of the Congo
- Held by
- Art Institute of Chicago, Chicago · On view · Gallery 227
- Credit line
- The Art Institute of Chicago, Arnold Crane Endowment