Saint Romanus of Antioch and Saint Barulas
What did you think?
Guide
Adjust the guideNew to it · Medium
Nobody has listened to this guide yet. Making it takes about twenty seconds, and after that anyone can hear it straight away.
From the museum
Francisco de Zurbarán excelled at painting altarpieces that presented saints in an accessible manner. Catholic reformers, who aimed to revitalize Catholicism in the face of the Protestant Reformation, emphasized that religious painting should feature easily recognizable figures and narratives in order to reach contemporary audiences. This canvas, made for the high altar of the church of San Román in Seville, Spain, aligns with the church’s dedication to Saint Romanus of Antioch. Romanus towers over Saint Barulas, a seven-year-old child who was inspired to martyrdom by the elder saint’s words. Romanus holds up his own tongue, torn out by his tormentors, and grasps a massive book inscribed with a prayer invoking his intercession on behalf of the faithful.
Ask about this work
Ask in your own words. The answer comes from what the museum has written about the work, and says so when that does not hold it.
Details
- Maker
- Francisco de Zurbarán (Spanish, 1598–1664)
- Date
- 1638
- Medium
- Oil on canvas
- Dimensions
- 246.5 × 185.4 cm (97 1/16 × 73 in.)
- Place of origin
- Spain
- Held by
- Art Institute of Chicago, Chicago · Not on view
- Credit line
- Gift of Mrs. Chauncey McCormick and Mrs. Richard E. Danielson
Image: Art Institute of Chicago, CC0
