The Swing
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Texto del museo
This large print, based on a painting by Fragonard, symbolizes the pleasure-seeking and frivolous aspects of Rococo art. Unbeknownst to the man pushing the swing, a suitor reclining in the bushes gets a glimpse under the woman's skirts as she flies through the air, losing her shoe. Contemporary viewers would have understood the association of the lost shoe with sexual dalliance, a motif reinforced by other elements within the image, such as the cavorting nude figures on the base of the statue of a cupid who gestures "hush." Delaunay's work is extremely successful in translating the qualities of a painting into the more restricted vocabulary of graphic techniques. He masterfully transposed Fragonard's charming composition, retaining all of the movement and verve of the painting. Using a rich variety of hatchings, cross-hatchings, and dots, Delaunay conveyed the tonal range, lighting, and spatial effects of the painting remarkably well.
Descripción original del museo, en inglés. Licencia: CC0
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Detalles
- Autor
- Nicolas Delaunay (French, 1739–1792), after Jean-Honoré Fragonard (French, 1732–1806)
- Fecha
- 1782
- Técnica
- engraving
- Lugar de origen
- France
- Colección
- Museo de Arte de Cleveland, Cleveland · No expuesta
- Procedencia
- Charles W. Harkness Endowment Fund
Imagen: Cleveland Museum of Art, CC0
Más de Nicolas Delaunay
Expuesta en
- Inventive Impressions: 18th- and 19-Century French Prints26 ago 2001 – 28 oct 2001
- Rococo, Revolution, Restoration11 jul 1989 – 24 sept 1989
- Department of Prints and Drawings Opening Exhibition3 mar 1958 – 11 oct 1959
- Exhibition of the Month: "Rococo Style in Various Arts7 jun 1945 – 30 sept 1945
- Miscellaneous Prints and Drawings from the Museum Collections23 jun 1924 – 23 oct 1924