
잠시만 기다려 주세요

잠시만 기다려 주세요
Giovanni Battista Piranesi · 1749–50 · 클리블랜드 미술관
가이드를 찾고 있습니다.
In his series of imaginary prisons, Giovanni Battista Piranesi experimented with scale, perspective, and etching to create disorienting and disturbing images of incarceration. Based on his training as a stage designer rather than on observations of real prisons, Piranesi used a low vantage point and distant staircases to disrupt traditional perspective and to emphasize both the monumentality of the space and the futility of trying to escape. Set against a strange cloud of white smoke, the densely drawn and deeply etched lines of the prisoners at left produce a confusing jumble of bodies that, while imprecise, evoke their pain and punishment. Author Thomas De Quincy compared the disorienting and disturbing imagery of this series to his experience with opium addiction in his 1821 book Confessions of an English Opium-Eater.
미술관이 쓴 설명 원문입니다(영어). 라이선스: CC0
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이미지: Cleveland Museum of Art, CC0