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James McNeill Whistler, Nocturne: Blue and Gold—Southampton Water

Nocturne: Blue and Gold—Southampton Water

James McNeill Whistler · 1872 · Art Institute of Chicago

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Guide

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A Harbor at DuskChapter 1 of 4
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  1. A Harbor at Dusk

    This is an oil painting on canvas, a little wider than a large window pane, about 77 centimeters across. It shows an inlet of water near Southampton, on the English Channel, as night comes on. Almost everything is dark and soft, in muted blues and golden tones. You will not find sharp outlines or busy detail. Large ships sit on the water as shadowy shapes, and the whole scene feels quiet and still. Stand back a little and let your eyes adjust, as they would at the end of a real evening by the water.

  2. Ghosts and Glimmers

    Look first for the large shipping vessels. They are not drawn clearly. They appear as ghostly shapes, dark masses that seem to be dissolving into the twilight. Then search for the few points of brightness. Some are faint reflections of lights, lying on the surface of the water. The other is the moon, which appears as a broken, fragmented orb rather than a clean round disc. Notice how little light there is, and how much more you notice it because everything around it is so dark.

  3. The Nocturnes Series

    James McNeill Whistler, an American artist working in London, painted this in 1872. It belongs to his Nocturnes series, begun in the early 1870s. A nocturne is a piece of night music, and Whistler chose the word to link painting with music. His earlier marine paintings showed their subjects more plainly. Here the scene is hidden by the approaching night. The setting mainly serves as a vehicle for his interest in the harmonies of muted color amid darkness, much as a composer might shape a quiet melody.

  4. Art for Art's Sake

    This painting was a radical step toward abstraction, which means a picture less concerned with showing things exactly and more with color and mood. It reflects Whistler's creed of art for art's sake: the idea that a painting does not need a story or lesson, and can be valued for its beauty alone. The place matters less than the feeling of evening stillness and the relationship of colors. Before you move on, look once more at the broken moon and its reflections, and see how little it takes to suggest a whole night.

This guide was written by AI from the description published by Art Institute of Chicago. Licence: CC BY 4.0

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Details

Maker
James McNeill Whistler (American, 1834–1903)
Date
1872
Medium
Oil on canvas
Dimensions
51 × 76.7 cm (20 1/16 × 30 3/16 in.)
Place of origin
London
Held by
Art Institute of Chicago, Chicago · Not on view
Credit line
Stickney Fund
See this work at Art Institute of Chicago

Image: Art Institute of Chicago, CC0

More by James McNeill Whistler

  • GuideGreen and Blue: The DancerJames McNeill Whistler · c. 1893
  • Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome EddyJames McNeill Whistler · 1894
  • Violet and Silver—The Deep SeaJames McNeill Whistler · 1893
  • Trouville (Grey and Green, the Silver Sea)James McNeill Whistler · 1865
  • The Artist in His StudioJames McNeill Whistler · 1865–66
  • Portrait of Dr. William McNeill WhistlerJames McNeill Whistler · 1871–73
  • Grey and Silver: Old Battersea ReachJames McNeill Whistler · 1863
  • Invitation to Mr. Whistler's "Ten O'clock"James McNeill Whistler · 1885

Shown in

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