The Return, Tynemouth (recto) Study (verso)
Winslow Homer · 1881 · Art Institute of Chicago
Guide
Adjust the guideNew to it · Medium
Nobody has listened to this guide yet. Making it takes about twenty seconds, and after that anyone can hear it straight away.
From the museum
During Homer's sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. The Return, Tynemouth depicts two fishermen who have arrived on shore in early morning. Because this watercolor was painted with light-fast pigments, it retains the pale, orange-pink washes that have faded from many of the extant watercolors he painted with fugitive red pigments; for this reason, it offers a more complete idea of his developing powers in decorative color. Homer's study of the British Library's drawings by Michelangelo and Raphael during this 1881-82 trip to England may have improved his skill for rendering figures in motion, which are emphasized here by the artist's graphite underdrawing.
The museum’s own description, in English. Licence: CC BY 4.0
What did you think?
Save this work’s image and museum information on this device to read without a connection.
Ask about this work
Ask in your own words. The answer comes from what the museum has written about the work, and says so when that does not hold it.
Details
- Maker
- Winslow Homer, American, 1836-1910
- Date
- 1881
- Medium
- Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, moderately-textured, ivory wove paper (left and lower edges trimmed)
- Dimensions
- 34.2 × 34.3 cm (13 1/2 × 13 9/16 in.)
- Place of origin
- United States
- Held by
- Art Institute of Chicago, Chicago · Not on view
- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
Image: Art Institute of Chicago, CC0



