Hercules
Albrecht Dürer · c. 1496–97 · Museo de Arte de Cleveland
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Texto del museo
Even though Dürer entitled this work Ercules, the narrative of the representation remains highly debated. The most recent interpretation suggests that Dürer adapted the scene from an obscure Roman tragedy, one he may have learned through his humanist friends. The story describes how prior to Hercules’ first heroic labor, the goddess Juno incited within him a monstrous rage. This resulted in the killing of a tyrant, seen under Hercules’ left foot, and the murder of his own family, represented here by his frightened wife Megara. A maniacal old woman-a Fury, goddess of vengeance and the embodiment of Hercules’ rage-prepares to assail Megara with an animal jawbone. According to this reading then, women are the source and manifestation of Hercules’ murderous wrath, an obvious contrast to his later heroism.
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Detalles
- Autor
- Albrecht Dürer (German, 1471–1528)
- Fecha
- c. 1496–97
- Técnica
- woodcut
- Dimensiones
- Platemark: 39.1 x 28.5 cm (15 3/8 x 11 1/4 in.)
- Lugar de origen
- Germany
- Colección
- Museo de Arte de Cleveland, Cleveland · No expuesta
- Procedencia
- Gift of The Print Club of Cleveland
Imagen: Cleveland Museum of Art, CC0
Más de Albrecht Dürer
Expuesta en
- Dürer's Women: Images of Devotion and Desire22 jun 2014 – 28 sept 2014
- Against the Grain: Woodcuts from the Collection17 ago 2003 – 9 nov 2003
- Sacred and Profane in Late Gothic Prints2 jun 1987 – 2 ago 1987
- Eight Masters of the Print14 oct 1980 – 18 ene 1981
- Albrecht Dürer - 500th Anniversary19 feb 1971 – 28 mar 1971






