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Gothic Art 1360-1440 · Articious

Gothic Art 1360-1440

클리블랜드 미술관 · 1963년 8월 6일 – 1963년 9월 15일

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Table FountainFrance, Paris · c. 1320–40
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)Claus de Werve · 1404–10
Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)Claus de Werve · 1404–10
Twelve Medallions Mounted as a NecklaceFrance, Paris · c. 1400

Orphrey Band: The Tree of JesseEngland · c. 1350

Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364–1404)Claus de Werve · 1404–1410

Panel from a Cassone: The Race of the Palio in the Streets of FlorenceGiovanni Francesco Toscani · 1418

The Archangel Gabriel from an Annunciation GroupFrance, Champagne · c. 1350

The AnnunciationNetherlands, or possibly France, 14th century · 1380s

Death of the VirginMaster of Heiligenkreuz · c. 1400

The Adoration of the MagiGiovanni di Paolo · 1440–45

Virgin and ChildFrance, Loire Valley, 14th century · c. 1385–90

St. Francis Kneeling before Christ on the CrossSassetta · 1437–1444

Coronation of the VirginMaster of the Fröndenberg Altarpiece · c. 1410

Coronation of the VirginFra Angelico · 1420s

Quatrilobed Plaque (pair): The Annunciation and The Descent from the CrossSpain, Catalonia?, 14th century · c. 1350–1400

SwordGermany (?) · 1400s

The Madonna of Humility with the Temptation of EveOlivuccio di Ciccarello · c. 1400

RingEngland, 14th century · 1300s

Crowned Female Head (Fragment)France, Champagne · c. 1400–1420

Navicella (recto); Two Drawings of Ships (verso)Parri Spinelli · c. 1410s

Pendant Triptych with an Onyx Cameo of the NativityPendant: France, Paris or Tours; Cameo: Italy, 13th-15th century · c. 1460–1500; cameo: c. 1250–1300

Saint John the EvangelistItaly, Tuscany · c. 1400

Triptych: The Life of the VirginFrance, Lorraine?, or Austria?, Gothic period, 14th century · c. 1325–1350

Initial G[audeamus omnes] from a Gradual: The Court of HeavenDon Silvestro dei Gherarducci · 1371–77

Pendant Icon with the Virgin "Dexiokratousa" and Frame with Winged Bull of Saint Luke on the backByzantium (pendant); Germany, Aachen (frame), Byzantine period, 12th century (pendant); Byzantine period, 14th century (frame) · pendant 1100s; frame mid-1300s

Set of Four Ornamental PlaquesItaly, Tuscany · c. 1380–1400

A Bishop Saint with a Donor (Saint Louis of Toulouse?)Spain, Catalonia, early 15th century · early 1400s

Processional CrossPietro Vannini · c. 1440–50

SwordEuropean (unassigned), 15th century · 1400s

Barbute (from the Venetian Garrison at Chalcis)North Italy, 14th-15th century · c. 1350–1420

Triptych with the Adoration of the MagiAustria, Salzburg · c. 1424

The Coronation of the Virgin with the TrinityMaster of Rubielos de Mora · c. 1400

HalberdGermany (?) · 1475–1500

Initial M[issus est] Excised from an Antiphonary: The AnnunciationStefano da Verona · 1430–1438

Crucifixion with the Two ThievesItaly, Verona · 1450–1500

Diptych with the Passion of ChristAustria, Styria, 15th century · c. 1400

Ornamental PlaqueItaly, Tuscany · c. 1380–1400

Ornamental PlaqueItaly, Tuscany · c. 1380–1400

Quatrilobed Plaque: The AnnunciationSpain, Catalonia?, 14th century · c. 1350–1400

Fragmentary Chasuble with Woven Orphrey BandItaly (Chasuble) and Germany (Orphrey) · 1300s

Ornamental PlaqueItaly, Tuscany · c. 1380–1400

The Resurrection, from an Altar FrontalItaly, Florence · 1375–1400

Ornamental PlaqueItaly, Tuscany · c. 1380–1400

Initial D[eus in loco] with a Prophet Excised from a GradualLorenzo Monaco · 1409–10

Quatrilobed Plaque: The Descent from the CrossSpain, Catalonia?, 14th century · c. 1350–1400

Embroidered Tondo from an Altar Frontal: The Coronation of the VirginItaly, Florence · 1459

Leaf from a Cocharelli Treatise on the Vices: Acedia and Her CourtItaly, Genoa · c. 1330

Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass)Master of Otto van Moerdrecht · c. 1440–1450

Chasuble Back with Embroidered Orphrey BandItaly (chasuble ground); Austria, Graz (orphrey) · 1415–25

Single Leaf Excised from a Choir Psalter: Initial E[xultate Deo] with King David Playing the Lute (Psalm 80)Italy, Bologna · c. 1408

Bifolium Excised from an Antiphonary: Initial D[ominus Iesus] with the Calling of Peter and AndrewItaly, Lombardy (Milan?), 15th century · c. 1425–1450

St. Francis of Assisi Receiving the StigmataBicci di Lorenzo · c. 1430

Leaf from an Antiphonary: Coronation of the VirginMaster of the Beffi Triptych · 1400s

The Gotha MissalMaster of the Boqueteaux · c. 1375

Leaf from a Gradual with Historiated Initial (G): Mary as Queen of HeavenItaly, Lombardy, Milan?, 15th century · c. 1425–1450

Single Miniature Excised from a Missal: The CrucifixionFlanders, Bruges · c. 1385–1390

Initial S[alve sancta parens] from a Gradual: Madonna and ChildDon Silvestro dei Gherarducci · c. 1370–74

Virgin and ChildAustria, Diocese of Passau, 14th century · c. 1370–1380

Single Leaf from a "Biblia Pauperum": Christ Crowned with Thorns (recto) Christ Carrying the Cross (verso)Germany, Bavaria · c. 1410

Initial S from a Gradual: Saint AugustineMaster of the Murano Gradual · c. 1420

Single Leaf from a Missal: The CrucifixionBohemia or Silesia, 15th century · c. 1480

Gothic Mitten GauntletItaly · c. 1450

Madonna and ChildGiovanni Badile · 1430–50

Battle AxeScandinavia (?), 15th century · 1400s

Initial T from a Choral Book with Isaac and EsauBartolomeo da Gallarate · c. 1460–70

Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the VirginWorkshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Leaf from a Book of Hours: The VisitationWorkshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Fragment of an Antiphonary with Historiated Initial (S): The Stoning of St. StephenNicolò da Bologna · c. 1370–72

Leaves from a Book of Hours: The Visitation and Christ in JudgmentWorkshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Chasuble Fragment with Realistic AnimalsItaly · c. 1420

Virgin and Child Adored by Saints Mary Magdalene and Nicolas of Bari; Christ Crucified with the Virgin and Saint John the EvangelistSano di Pietro · 1400s

Book of Hours (Use of Paris)Possibly studio or workshop of The Bedford Master (French, Paris, active c. 1405–30) · c. 1420

Silk and Gold TextileItaly, last third of the 14th century · 1360–1400

Silk and Gold TextileItaly · 1420–1430

Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso)France (Angers, Nantes, or Poitiers) · c. 1435

Bifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)Workshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Fragment from an Orphrey BandGermany, Cologne · 1300s–1400s

Madonna and ChildBohemia, vicinity of Freistadt, 15th century · c. 1400–1410

Fragment from an Orphrey BandGermany, Cologne · 1300s–1400s

Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The TrinityBohemia, Prague, early 15th Century · c. 1410

Fragment from an Orphrey BandGermany, Cologne · 1300s–1400s

Fragment from an Orphrey BandGermany, Cologne · 1300s–1400s

Stained Glass Roundel with an Angel Holding a ScrollFrance · c. 1425–50

Tapestry BorderItaly, Lombardy, Milan ?, first half of 15th century · 1400–1450

Silk FragmentItaly, last third of the 14th century · 1360–1399

Leaf from a Book of Hours: Christ in JudgmentWorkshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Silk FragmentIran or Iraq, mid or 2nd half of 14th century · 1350–1399

Lampas with scrolling vines and grape leavesprobably Iran · 1300s

Bifolio from a Book of Hours: Coronation of the Virgin (recto); Text (verso)Workshop of Boucicaut Master (French, Paris, active about 1410–25) · c. 1415

Canon Page from a Missal: Christ in Majesty with EvangelistsFrance, Northeastern(?), 15th century · c. 1410

Lampas with hares in ogival patternprobably Iran · 1300s

Fragment of a Historiated Initial from a Choir Book: Christ in MajestyMichelino Molinari da Besozzo · c. 1400

Fragments of a ChasubleItaly, beginning of the 15th century · 1400–1420

Fragment of an Architectural CanopyFrance · early 1400s