Nocturne: Palaces
James McNeill Whistler · 1879/80 · Art Institute of Chicago
Guide
Adjust the guideNew to it · Medium
Looking for this guide.
From the museum
In developing this image, Whistler exploited plate tone (ink left on the unetched surface of the copper plate) to an extraordinary degree. Etched and incised drypoint lines were used as a framework for painterly inking and wiping of the plate, which allowed for endlessly varied impressions. In fact, each example of Nocturne: Palaces is different, conveying distinctive interpretations of light, darkness, and atmosphere. The impressions represent different states (second and eleventh); ink colors (black and brownish black); and wiping (inky at top and bottom and more nuanced overall plate tone). The earlier, more dramatic impression emphasizes architectural details and the velvety darkness of sky and water, while in the later example building facades are cloaked in mist and the dampness of a Venetian night is palpable.
The museum’s own description, in English. Licence: CC BY 4.0
What did you think?
Save this work’s image and museum information on this device to read without a connection.
Ask about this work
Ask in your own words. The answer comes from what the museum has written about the work, and says so when that does not hold it.
Details
- Maker
- James McNeill Whistler, American, 1834-1903
- Date
- 1879/80
- Medium
- Etching and drypoint in brownish black, with selective wiping of plate tone, on ivory laid paper
- Dimensions
- Image, trimmed within platemark: 29.4 × 20.1 cm (11 5/8 × 7 15/16 in.); Sheet, with signature tab: 30.1 × 20.1 cm (11 7/8 × 7 15/16 in.)
- Place of origin
- United States
- Held by
- Art Institute of Chicago, Chicago · Not on view
- Credit line
- Bryan Lathrop Collection
Image: Art Institute of Chicago, CC0